Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

11 Jun 2011

Misleading Titles, Ahoy!

The following snippet from www.ultraculture.co.uk's review of the Jodie Foster-directed, Mel Gibson-starring The Beaver made me literally laugh out loud:


Given that first-time screenwriter Kyle Killen could have made the ‘prescription puppet’ that Mel Gibson communicates through for most of the movie any animal whatsoever, I naturally assumed that he’d chosen a beaver to give himself some reliable genitalia-based humour to fall back on when times got tough. But inexplicably, not once in the entire movie does anyone score into this massive, perpetually-open goal.

It’s like if Ed Balls and Brian Cox drove off a dyke into a muff warehouse and The Sun went with the headline ‘MP and Physicist Cross Levee Into Handwarmer Depository’.

Read the full review here.

13 May 2011

The A-Z of My Favorite Movies

All About Eve
In my top five movies of all time.

Braveheart
I prefer not to think about Mel's recent transgressions and instead focus on this historically inaccurate but eminently re-watchable epic.

Clockwork Orange, A
Kubrick's best film, which is no small boast.

Do the Right Thing
Still Spike's best movie.

Elephant Man, The
Hopkins is every bit as good as Hurt in possibly the only movie I know that I find difficult to watch. So upsetting, but so very, very good.

Fly, The
Featuring what I believe to be one of the best acting performances by anyone, ever. Take a bow, Jeff.

GoodFellas
The best movie ever made. Period.

Hannah and Her Sisters
My joint-favorite Woody Allen movie.

It's a Wonderful Life
To say it's just the best Xmas movie of all time would still be doing it an injustice.

Jackie Brown
Criminally underrated Tarantino masterpiece.

King of Comedy, The
For me, DeNiro is every bit as good here as he was in Raging Bull. His joint best performance ever.

L.A. Confidential
Every single line of dialogue in this masterful film means something. Pay attention.

Manhattan
My other favorite Woody Allen

Nightmare Before Xmas, The
My favorite Disney movie ever. After Toy Story, that is.

Oldboy
Three words: Best. Ending. Ever.

Pulp Fiction
Tarantino's best...changed the face of movies.

Queen, The
Best movie I could think of that started with a Q.

Raging Bull
One of the most beautiful and harrowing films of all time. THIS is why DeNiro is known as the greatest actor of his generation.

Scarface
Nothing more can be said about this masterwork that hasn't already been said.

Twelve Angry Men
Remarkable script and remarkable acting from all 12 jurors.

Unbreakable
M. Night's best, by far, and a brilliantly original film.

Volver
Not Almodovar's best, but better than most movies released in '06.

Wizard of Oz, The
Is there a more perfect family film than this? Timeless.

X-Men Origins: Wolverine
Is it wrong that I really, really like this movie and prefer it to all the others in the series?

Year of the Dragon
Good thriller from a time when Mickey Rourke looked normal. And cool.

Zulu
A film that made Michael Caine a star, and proved he could do non-Michael Caine accents!

27 Feb 2011

Oscar Predictions

Here's my Oscar list, with who I WANT to win and who I think WILL win in the major categories. This list is based purely on who has been nominated, rather that who I would REALLY want to win (otherwise I would put The Girl with the Dragon Tattoo as the film I WANT to win Best Picture). Also, forgive the lack of visually-stimulating text...am writing this from my phone as it's been 8 days since we moved into the new house and I still have no fucking internet for another four days.

Best Picture
Want: Toy Story 3
Will: The King's Speech

Best Director
Want: Tom Hooper (The King's Speech)
Will: David Fincher (The Social Network)

Best Actress
Want: Natalie Portman (Black Swan)
Will: Natalie Portman (Black Swan)

Best Actor
Want: James Franco (127 Hours) or Colin Firth (The King's Speech) - can't make up my mind...
Will: Colin Firth (The King's Speech)

Best Supporting Actress
Want: Melissa Leo (The Fighter)
Will: Melissa Leo (The Fighter)

Best Supporting Actor
Want: Geoffrey Rush (The King's Speech)
Will: Christian Bale (The Fighter)

Best Animated Feature
Want: Toy Story 3
Will: Toy Story 3

Best Adapted Screenplay
Want: The Social Network
Will: The Social Network

Best Original Screenplay
Want: Inception
Will: The King's Speech
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20 Jan 2011

The Only Best Movies of 2010 List Worth Reading, For Reals! (Version 3.0)

So here's my top movies of 2010. In years past, I would do a numbered Top 10. I guess as I've gotten older, though, I can see the futility of doing a numbered Top 10 for two reasons:

One, number-ranking movies against each other is always gonna be a little futile. For example, three of my favorite movies of all time are GoodFellas, All About Eve and Toy Story. I can say GoodFellas is the best/my favorite movie of all time, but even this is a little silly considering how different AAE and TS are from it. In short, I just can't bring myself to have to number movies in a list anymore. Why? Because I make the rules on this blog, sweetheart.

Two, a top 10 to me means that all 10 movies are fantastic. This is not always the case. Sometimes there are more than 10 amazing movies out in a given year and sometimes there are less. Therefore, trying to, year-after-year, name 10 because of convention is, to me, a little silly. After all, 10 is an arbitrary number that, because of tradition, gets assigned greater importance than, say, it's equally impressive brother 11 (or it's sister, eight)!

Anyway, rant/justification over. On to the list.

I hardly got to go to the movies at all this year for two main reasons (and then many sub-reasons that stemmed from these two) that, in the interests of anonymity, we shall refer to as Xinlay and Xate. In fact, I only saw two movies in theatres: Inception and Sex and the City 2 (but more on them later). You'll see from my list, though, that I've managed to see most of the "big" or "considered-award-worthy" movies of the year anyway. All I can say is thank Dawkins for my little friend the internet.


The Best Movies of 2010 (in no particular order...well, apart from the first two, that is)

(Joint Best Movie of the Year) The Girl with the Dragon Tattoo - Original. Compelling. Visually-stunning. Feminist. Thrilling. I can't begin to think of all the superlatives this movie deserves. Based on the first of Steig Larsson's Millenium Trilogy of crime novels, Dragon Tattoo was, for me, an instant classic in the way only one other movie was this year. For me, Noomi Rapace gives the single best performance, male or female, of the year in the role of the titular "Girl", Lisbeth Salander.

(Joint Best Movie of the Year) Toy Story 3 - How is it possible that Pixar have managed to make a trilogy of films where the standard has been this high throughout? Even the LOTR trilogy doesn't count being, as they were, made all at the same time and are pretty much all one long movie. I have EXTREMELY high standards when it comes to Toy Story, my favorite animated movie of all time. TS2, while not quite as good as TS, was still inspiring and hilarious. This, though, is even better (again though, not quite at the height of TS, but as close as it's possible to be). Michael Keaton's Ken - brilliantly written and performed. The incinerator scene - sweaty-palm and heart-wrenchingly dramatic. The epilogue - as beatifully written and emotional as anything in the series.

127 Hours - Waaay better than I thought it would be. James Franco = Amazing. I just can't get over what a fantastic job Danny Boyle did with this movie. The fact that most of the film takes place in one confined location with one character and yet Boyle manages to not only keep the audience's attention but also ratchet up the tension is nothing short of awesome. The scene with the arm (you know what I'm talking about) was possibly the most intense scene I've ever seen in a film and realistic as all hell. The editing was also the nuts.

Inception - The very definition of a "smart" summer blockbuster. Great cast (especially Joseph Gordon-Levitt, Marion Cotillard and Tom hardy), brilliant special effects (all the more so because of minimal CGI) and a final half-hour of jaw-dropping cinematic mastery from director Chris Nolan.

Never Let Me Go - Okay, just like 127 Hours, this was far better than I thought it was gonna be. Base on a Kazuo Ishiguro novel, NLMG is a similar meditation on unrequited love, time moving too quickly, a sense of duty, to The Remains of the Day, Ishiguro's most famous (and Booker-Prize-winning) novel. Set in an alternate late-20th-century, this film combines SciFi (it's more Children of Men than Transformers!) and three outstanding performances from Keira Knightley, (new Spider-Man) Andrew Garfield and, especially, Carey Mulligan. Brilliance.

The Fighter - Two words: Christian Bale. Fuck every other review/description of this movie. If you don't know what this film is about, I'm not going to tell you (okay, real-life boxing story). I demand you watch it anyway because of the performance of Christian Bale.

True Grit - It's weird that a lot of critics are calling this the Coens' best or one of their best. Shit, I prefer MANY Coen movies over this...Fargo, Miller's Crossing, Hudsucker Proxy (so underrated it makes me sick), No Country, etc... While I think this is a lesser Coens effort, it still ranks as one of the top movies of the year for me because the Coens are simply of a higher standard than most film makers. As bubblegum a movie as you're ever likely to get from Joel and Ethan.

The King's Speech - Despite all the excellent reviews, all the "OMG it's sooo great" comments from friends, all the award nominations and wins, it's obvious "award" pedigree, etc. Despite all of this pre-knowledge, I was still surprised at just how effing good this movie was. Firth was awesome, but so was Geoffrey Rush (his was a lead role, not supporting...eff the awards circuit!). Special mention to the cinematography. This was possibly the most beautiful film of the year. So many of the shot compositions were like works of art. Brilliant.

Catfish - To say anything of what this movie is about would be doing you a disservice. Suffice to say it's the best documentary of the year and revolves around Facebook. I really can't say anything else about it without spoiling it.

The Girl Who Played with Fire/The Girl Who Kicked the Hornet's Nest - The next two in the aforementioned Millenium trilogy. Not a patch on Dragon Tattoo, but still two of the classiest thrillers of the decade and Rapace once again OWNS. Special mention, also, to Michael Nyqvist as (the other main character) journalist "Kalle" Blomkvist in all three. A kind of Swedish Daniel Auteiul or James Woods, only a little more subtle.

Restrepo - Film makers Sebastian Junger and Tim Hetherington spent 15 months with an Army platoon in the Korengal Valley in Afghanistan (the most dangerous part of the country). This documentary is absolutely apolitical (I defy anyone to argue otherwise) showing, as it does, nothing other than what it's like to be a troop on the ground. Never before has there been such an accurate depiction of modern warfare.

The Social Network - NOBODY expected a movie about the founding of Facebook to be this good, myself included. However, with director David Fincher (Se7en, Fight Club) and writer Aaron Sorkin (The West Wing, A Few Good Men) on board, the clues were there. All I can say is that the execution was perfect and a central performance by Jesse Eisenberg (who knew he had it in him?) that was just marvellous.


The movie that's not quite good enough for my "Best of 2010" list, but is better than my "Honorable Mentions" list

Black Swan - This movie is either a fucking masterpiece in every conceivable way, or is a glossy, style-over-substance, psychological thriller/melodrama with some awesome ingredients. The thing is, I'm not sure which it is, though. What can't be denied is that it was totally involving, with brilliant make-up and editing and a central performance which, if this were a Rapace-less year, would be the best of 2010 from Natalie Portman.


Honorable Mentions

I also really enjoyed the following movies this year:

Shutter Island - good ending and masterful directing from the master.
The Crazies - great zombie movie and anything with Olyphant is worth watching anyway.
Why Did I Get Married, Too? - suck it, Tyler Perry, haters. I like his movies (minus the spirituality, of course)
Winnebago Man - great documentary with a brilliant and unique central character
Machete - they fucked with the wrong Mexican
The Town - while still awesome, this would be so much better without the spectre of Affleck's previous and brilliant Gone Baby Gone ratcheting up my expectation
Conviction - Hillary Swank + Sam Rockwell + "The Legal System" = Brilliance.
Winter's Bone - atmospheric, dark and an amazing performance from Jennifer Lawrence in the main role.
The Human Centipede - just a really original, chilling horror movie. FEED HER!!!


Worst Movies/Biggest Disappointments of 2010

Sex and the City 2 - I love SatC and I loved the first movie. This was such a let-down.
The Ghost Writer - Seriously. WTF was all the fuss about?! Boooo-ring.
Kick-Ass - I still liked Kick-Ass, but it was sooo much less than I thought it was gonna be.
Death at a Funeral - Chris Rock, Martin Lawrence, Tracey Morgan. All hilarious. Movie? I didn't laugh once.
The A Team - I loved the show. This movie (Sharlto Copley notwithstanding) sucked balls.
The Twilight Saga: Eclipse - it was mmmmokay, but as it's my favorite book in the series, it should've been so much better. The worst movie in the saga so far...


Movies I wanted to see but haven't...yet

The Tillman Story
Mother
Enter the Void
Somewhere
Joan Rivers: A Piece of Work


Final thoughts

For me, 2010 was a year of great documentaries (as well as the above, Waking Sleeping Beauty, Exit Through the Gift Shop and The Cove [I know, I know, it was 2009, but I saw it this year] were all great), great female performances (Portman - Black Swan, Rapace - The Girl... Trilogy, Lawrence - Winter's Bone, Leo - The Fighter, Swank - Conviction, et. al.), disappointing summer movies (Toy Story 3 was the only genuinely good one) and squirm-inducing scenes (Centipede, 127, TGwtDT, The Killer Inside Me).

26 Dec 2009

The Best Films of the Decade

In trying to come up with a best films of the decade list, I first tried to come up with a Top 10. I found it too hard, though, because, as you'll see, I don't think there were 10 absolutely outstanding movies this decade. I think there were seven absolute all-time classics and a further 18 really, really good movies.

I also reserve the right to change this list in about a year's time because there are movies that have just or will soon come out this year that I haven't yet seen that could possibly make the list.

In making this list, I also found it funny how time changes one's perception of movies. For example, the number one movie in each of my top 10 lists for 2006 (Babel), 2007 (Once) and 2008 (The Fall) are not in the all-time classics section of this list with Babel failing to make even the overall list!

Once I got the seven absolute classics sorted, I tried and tried to rank them from one to seven but I just couldn't. Some of them are so vastly different, how do you compare which one is better than another?


The all-time classics (in no particular order):

There Will Be Blood - just unbelievably brilliant film-making from PT Anderson (whose Boogie Nights remains one of my favorite movies of all time), another mesmerising performance from DD-L, an amazingly effective score and beautiful camera work. A modern classic if there ever was one.

The Dark Knight - not just the best "comic-book movie" of all time, but one of the great crime thrillers (ranking up their with the likes of On the Waterfront and Heat) ever. Heath Ledger is truly amazing as is Aaron Eckhart as Two-Face. Stunning set pieces, a wonderful script and suitably epic photography add up to a bonafide classic. Shame about Bale's Batman voice, though.

The Lord of the Rings: The Fellowship of the Ring - Though I love The Two Towers and The Return of the King, neither movie comes even close to FOTR in terms of the sheer impact it made on me when it first came out. Peter Jackson's masterful film ranks as possibly the best adaptation of an "unfilmable" book ever made. A truly involving story, brilliant effects and great heroes and villains.

Brokeback Mountain - easily the best love story of the decade. Extraordinary work from (again) Heath Ledger, but also from Jake Gyllenhall who make the central romance utterly believable while Ang Lee proves once again that he can, in fact, do anything. The scene where Ledger hugs Gyllenhall's old shirt hanging in the closet typifies the central theme of longing for forbidden love.

Unbreakable - the best thing Shyamalan's ever made and an absolutely brilliant commentary on the power and influence of comics. A brilliantly-involving story and great filmmaking, from the use of muted greys and purples to the alternating static and fluid camera work. I remember coming out of the movie theater and listening to the other moviegoers' conversations...half of them were saying "that was the dumbest ending ever" and "what a boring movie", while the other half were saying "that was awesome!" and "what a cool ending!".

Oldboy - An intriguing premise. One of the great performances of the decade from Choi Min-Sik. A story that twists and turns and keeps you guessing without ever straying into unbelievable territory and....AND...the Best. Twist. Ending. Ever. The fight in the hallway is one of the best fight scenes in ANY movie of the decade.

Grizzly Man - The nineties and aughts were both golden eras for movie documentaries. The 90s gave us Crumb and Hoop Dreams (two of the best movies ever made, never mind documentaries), while the aughts gave us this. Timothy Treadwell, like Man on Wire's Phillipe Petit, is one of the great movie characters of the decade. A unique, charismatic, dangerous, delusional, camp, sincere, honest man whose reason for living ultimately (and poetically) also became the reason for his untimely death. The great Werner Herzog (a crazy man himself) crafts his best movie since Mephisto.


...and those were the only really, true all-time classics from the decade, in my opinion...movies that I know will still be classics in 10, 20, 30 years' time.

The below are also very good too, though.


The other 18 really, really great movies (again, in no particular order):

The Departed - a welcome return to form for Scorsese (after Aviator, Kundun, etc.) in the milieu that suits him best - Gangsters. Brilliant work by a huge ensemble cast incl. Mark Wahlberg in the best performance he'll ever give and Matt Damon as a terrifically slimy bad guy. Scorsese = still the greatest director in the world.

A History of Violence - paradoxically very Cronenberg and also unlike anything he's ever done. Brilliant turns from Viggo Mortensen and a scene-stealing William Hurt in a crime-thriller graphic novel adap that belies its "comic book" roots. Just awesome.

Man on Wire - the remarkable story of one man's quest to live life to the fullest...even with the threat of death ever present. Phillipe Petit, like some others on this list, is one of the great movie characters, with more than enough charisma to go around.

Kill Bill - I still think of both "volumes" as one film and while not vintage Tarantino, still better than most directors could ever hope to be...full of stylistic flair, stunning set pieces, memorable and instantly-quotable dialogue and a love of bad movies...

Etre et Avoir - a heart-breaking documentary on the powerful and life-affecting relationships between great teachers and willing students, this time in a small, provincial school in the french countryside. Your life can only be richer for seeing this.

House of Flying Daggers - the best of the spate of wire-fu movies of recent years (CTHD, Hero, etc.) with a central love triangle that works so well, it would've been a great film w/out the martial arts.

Bowling for Columbine - love him or hate him, one thing that cannot be denied is what an accomplished film-maker Moore really is. An impassioned argument against the destructive power of guns and the reasons people use them.

Shaun of the Dead - best comedy on the list and a movie that has equal affection for (and pays equal homage to) zombie movies as well as classic comedies. Full of verve, wit and imagination, SotD even created its own genre: the zom-rom-com.

Volver - A stunning performance from Penelope Cruz in one of Almodovar's (second only to Scorsese in the great director stakes) most accessible films. At once a love letter to his Mother and to former muse Carmen Maura who reunites with Almodovar for the first time since 1988's Women on the Verge...

Amelie - a truly original work from Jean-Pierre Jeunet. Possibly the most quintessentially French film I've ever seen and Audrey Tatou is outstanding as the eponymous matchmaker. Best opening sequence of any movie on this list.

Dear Zachary: A Letter From a Father to His Son - one of the best documentaries I've ever seen and one that I'll seriously never be able to watch again. This still haunts me to this day. Really.

The 40-Year-Old Virgin - the best of the Apatow comedies featuring a great script (special mention also to some of the obviously-improvised exchanges) and star-making performances from Steve Carell, Jane Lynch and Elizabeth Banks. Still hilarious on the umpteenth viewing.

Bad Education - Almodovar's ode to his Iberian upbringing. I rate this higher than Talk to Her, though I'm in the minority. A quintessential Almodovar movie: funny, touching, weird, cross-dressing, sexual, dramatic. Featuring a standout performance from Gael Garcia Bernal as the director's alter-ego. It's actually impossible for Almodovar to make a bad film. Fact.

The Fall - possibly the most original movie on this list and a breathtaking, exhilarating, magnificently-realized labor of love for director Tarsem Singh. A feast for the eyes and the soul. A grown-up fairytale that enchants and scares in equal measure.

Once - the second-best love story on this list. A small, unassuming tale of two musicians who meet, help and fall in love with each other in a very unusual way...the end is not what you expect. The music, especially, is what elevates the film to greatness.

Gone Baby Gone - as I said in my original review, the cinematic equivalent of The Wire...no higher praise is needed. Adapted from a Dennis Lehane novel, GBG is far superior and more accomplished that that other great Lehane adap., Mystic River...and that's sayin' somethin'.

The King of Kong - Another fantastic documentary, this time centering on one man's quest to be the best at something...anything...even if it's just the coin-op Donkey Kong. Also featuring, in Billy Mitchell, the greatest screen villain in recent memory, made even better 'cause he's real!

No Country for Old Men - The Coen Bros. go serious for the first time since Blood Simple and in the process bag their first directing Oscars, direct Javier Bardem to his first Oscar as one of the best bad guys ever and make us realize Josh Brolin can actually act. TLJ is great, too.


For an alternate take on the Best Movies of the Decade, please see my friend (and fellow film buff) Cam's list here.

25 Sept 2009

Dr. Strangelove Actually

Found this great site that has movie mash-up posters. Here're my favorites:

First, the best one:



This really is quite appropriate:



I love the quite subtle umbrella:



How much better would Empire have been had it been directed by Kubrick:



I'd love it if Jack Nance has been in Hairspray...:



...and finally, 'cause it's just funny:


There's more here

17 May 2009

The greatest (and as far as I can tell only) Denzel Washington impression EVER!

I've never seen anyone do a Denzel impersonation, but this guy has it down cold!!! (and his Morgan Freeman isn't bad either)

14 May 2009

"Be Italian!!!!"

OK, so Bruno is gonna be hilarious, Star Trek will, I'm sure, be hugely enjoyable and The Road looks fantastic.

However.

My MOST aniticipated movie of the year IS. THIS.




Though this 2009 Sundance AUDIENCE Award winner (which means that it WILL be great) looks pretty awesome too.

9 Mar 2009

Can't wait to see this

An early contender for best comedy of the year. The end is hi-fucking-larious!!

22 Feb 2009

Oscar predictions

Real quick:

Pic - Slumdog
Director - Slumdog
Actress - Winslet
Actor - Rourke
Supp. Actress - Cruz
Supp. Actor - Heath
Orig. Screenplay - In Bruges
Adap. Screenplay - Slumdog
Anim. Pic. - Wall-E
Doc. - Man on Wire
Foreign - Waltz with Bashir
SFX - Ben Button

8 Dec 2008

My Favorite Xmas Movies

My friend Cam recently posted his top 10 favorite Xmas movies on his blog here. A good list it was, too. I know he'll forgive me for saying, though, that there were some glaring omissions and a few unworthy inclusions.

Unable to keep shtum for any longer, I bring you my (and therefore the ultimate!) list of festive favorites:

1. Scrooge (1951)
As Cam said, the definitive telling of Dickens' timeless classic. Alistair Sim fully embodies the character and spirit of Dickens' most famous miser, rendering all other portrayals moot. Brian Desmond Hurst captures all the magic (and even the darkness) in the classic tale while the uniformly excellent cast (most of whom had just previously worked together in the classic Tom Brown's Schooldays) help make this the most perfect and famous telling of the most perfect and famous Xmas tale of them all. Un. Beatable.

2. It's a Wonderful Life
What more can be said about this movie? It's not even a Xmas movie, really, until the last half hour and yet it has become the most-loved yuletide story of them all. Frank Capra and Jimmy Stewart, the best director/actor team of the 1940s/50s (with respect to Jack Lemmon and Billy Wilder), reached the apotheosis of their collaborations with this stunningly well-told story. A perfect, perfect gem of a movie that never gets old and improves (as we get older and more mature) with each year.

3. The Wizard of Oz
I know, I know, this isn't really a Xmas movie but, growing up in England in the early eighties, before VCRs (let alone DVD players) were common household items, TWOO was shown by the BBC every single Xmas without fail and it was a big event in our house. My older sister and I would get our sleeping bags on the floor and watch Dorothy and friends' journey to Oz while Mom brought us hot chocolate and popcorn. Quite apart from being one of the best movies of Hollywood's "Golden Age," it has been and always will be a true holiday classic for me.

4. Blackadder's Christmas Carol
While not strictly a movie, this 50-minute 1988 Xmas special deviates from the regular, half-hour episodes of one of the greatest comedy shows ever made and is thus included on my list. Like Scrooge and IAWL, this is watched in my house EVERY Xmas. For the uninformed, Blackadder is a UK comedy series that ran for four seasons from 1984-1989 and, like all brilliant, successful and critically-acclaimed British comedy shows, the makers decided not to make anymore at the height of its popularity (think Fawlty Towers, The Office, Gavin and Stacey, etc.). Each season of Blackadder follows the mythical chracter Edmund Blackadder through four different periods in British history. Season one was set in the middle ages, two in Elizabethan England, three during the 18th century and four in the trenches of WWI. This special, set, just like the original Christmas Carol in Victorian England, is a sort of Scrooge-in-reverse tale, with the kindly samaritan Edmund shown his past by a spirit (Robbie Coltrane). Except this time, the kindly Edmund sees how rotten his ancestors were (we get new footage of the Blackadders from the other seasons) and realizes that there's something to be said for being bad. He therefore resolves to change his ways and become a bad guy. The cast includes alumni from all of the other seasons, including Hugh Laurie, Stephen Fry, Miranda Richardson and Jim Broadbent. Like every episode of Blackadder, there are too many classic quotes to count, including the immortal

Blackadder: Ha! Got him with my subtle plan
Baldrick (the dummy): I didn't notice any subtle plan.
Blackadder: Baldrick, you wouldn't notice a subtle plan if it painted itself purple and danced naked on top of a harpsichord singing "Subtle plans are here again!"

5. A Charlie Brown Christmas
And seeing as we're going with one-off Xmas TV specials, no list would be complete without A Charlie Brown Xmas. Every single thing about it reminds me of Yuletide; the fantastic soundtrack (which, apart from containing some of the most memorable Xmas music ever to come from America, is also a perfect example of the Cool Jazz trio [piano, double bass and drums], in this case immortalised by Vince Guaraldi and crew), the crude animation, the jokes, Snoopy's happy dance, the "true meaning of Xmas" as told by Linus, the Xmas Queen, that rubbish tree, and on and on and on. I don't think anything on this list makes me feel more Christmassy.

6. The Nightmare Before Xmas
This could be a Halloween or a Xmas favorite but for me has always been one for the holidays. I've said in the past that this is my favorite Disney movie of all time and it still holds true today. While Tim Burton's endless (and samey) gothic weirdness can become quite tiresome, this movie is a perfect realisation of his macabre mind. Jack Skellington is one of the greatest characters in all kids' or Christmas movies, combining wonder at the magic of Christmas with kindness, innocence and the desire to do good. The music and songs are, I believe, Danny Elfman's best work and the stop-motion animation is still awe-inspring even today. I hope to see it in IMAX 3D one of these days, but until then, it remains one of the most popular titles in Cate and Dad's Movie Club.

7. Love Actually
While ostensibly being about love in all its permutations, Love Actually is one of the Christmasiest (is that a word?) movies ever. Director Richard Curtis, having written some of the best rom-coms of all time (Four Weddings..., Notting Hill, The Tall Guy, etc.) finally gets his turn in the director's chair, creating, arguably, the best UK rom-com of all time. Several intertwining stories about love and relationships, set against the backdrop of an impossibly snowy English Xmas, Love Actually is one of those films that truly gives you the seasonal warm fuzzies. Great comedy, great acting, great cast (special mention to Bill Nighy's has-been rock star and Emma Thompson's cheated-on wife) and a Xmas setting make Love Actually way better than it had any right to be.

8. National Lampoon's Christmas Vacation
Chevy Chase is hit and miss for me and for many other people. He comes off as a little too pleased with himself most of the time and, if you've ever listened to Howard Stern, you know he's a bit of an arrogant ass. Having said this, on those rare occasions when he's good, he's very good. The first three vacation movies (I'd prefer to forget about Vegas Vacation) and both Fletch movies show how great he can be. This is, without doubt, his best performance in his best film. A Xmas staple for the majority of Americans (and a fair few Brits, too) NLCV is hilarious literally no matter how many times you watch it. I literally cry with laughter on each viewing. For best results, watch Dec. 23rd in the presence of father-in-law, whose constant guffawing throughout is entertainment enough in itself. Oh, and please don't watch NLCV 2 - Cousin Eddie's Island Vacation or something, which is as horrible as it sounds.

9. Elf
When I first saw this movie, I laughed so much I think I peed a little. In my eyes, Will Ferrell is quite simply inherently funny. Even in his shit movies (I'm looking at you, Blades of Glory) all he has to do is walk onto the screen and I'm laughing. Jon Favreau has created a modern classic with this film. Sentimental without ever being sickly, hilarious, wonderfully acted (especially by Ferrell, Zooey Deschanel and, in a cameo, the always-excellent Peter Dinklage) and with a truly funny, heart-warming script, Elf became an instant classic. The acid test came the following year after I first saw it. Would it still be as great and funny? You bet your ass it was (and continues to be).

10. The Snowman
A Xmas special from the mid-80s more famous for the song it spawned than for the actual special itself, The Snowman, based on Raymond Briggs' beloved children's book, is a typically British Xmas tale, full of wonder, magic and melancholy. It has an ending which would never be allowed in America and a conceit (no dialogue whatsoever) which would similarly ensure it never would be aired alongside such faves as Shrek the Halls, etc. The song, Walking in the Air, sung by a then-cherubic Aled Jones, is a Xmas classic which is always in heavy rotation in my house from mid-November through to Boxing Day. The Snowman is known to still make grown men cry and therefore earns its position on my list.

11. A Christmas Story
This may surprise some of you, but I never actually saw A Christmas Story until about six years ago (at the tender age of 28, no less). Growing up in England, where this movie just isn't a Xmas staple, I simply never got around to seeing it. My wife, though, has always loved it and introduced me to the delights of Ralphie and his BB gun. It's so very 80s, so very badly shot (did the celluloid get dunked in dirt and coffee during filming??!! WTF?!), but so very funny and it just FEELS like Xmas when it's on in the background.

12. The Polar Express
Like A Christmas Story, I'm one of the few people who were unfamiliar with this story as a kid. Again, I'll put it down to this book not being particularly popular in the UK, but nearly all of my American friends seem to have read this story as a child. Maybe that was a good thing, though, in that I went into the movie with no preconceived notions or expectations. Let me say that, quite apart from the jaw-dropping special effects, I was really surprised at how good the essential story was. I can see, now, why this has been a classic tale for more than 20 years. Perfectly capturing a child's magical view of Xmas and Santa himself, TPE automatically became a Xmas classic for me when I first saw it only last year.

13. White Christmas
Bing! Danny! Rosemary! Vera! This movie is, at the same time, wonderful and terrible. Corny, cheesy, hokey, badly edited, plot holes the size of Montana, badly colored (using the then-relatively-new Technicolor), poorly written and, last but not least, utterly fabulous! The immortal song "White Christmas," Danny Kaye and Vera-Ellen duetting on "The Best Things Happen While You're Dancing," Rosemary Clooney and Vera-Ellen doing "Sisters." Pure Hollywood magic and a staple!

14. Miracle on 34th Street (1994)
Controversy alert! I actually prefer the 1994 remake over the original. Don't get me wrong, I like the 1947 original and think that Natalie Wood gave a much better, more natural performance than her '94 counterpart, Mara Wilson. I have a problem, though, with the pacing of the original (too many boring stretches) and with Edmund Gwenn as an annoying, over-acting Santa. I much prefer the elegantly art directed remake with a delightful Richard Attenborough really playing the part seriously, great chemistry between Elizabeth Perkins and Dylan McDermott and nasty, boo-hiss villains in the form of the late, great J.T. Walsh and Joss Ackland.

15. Santa Claus: The Movie
Released when I was 10, a few years after I stopped "believing," I remember that the first half of this movie was so good that I wanted to start believing again. I don't think there's ever been a better telling of Santa's story and in David Huddlestone, Alexander and Ilya Salkind (uber-producers and the men behind the Chris Reeve Superman films) found the puh-herrfect St. Nick. The other two great things about the movie are the sets (it's obvious that no expense was spared, resulting in an over-blown budget that never had a chance of making the Salkinds a profit) and John Lithgow (is he ever bad in anything? I mean, really?) as a great pantomime villain in the somewhat-hokey second half of the movie.

Honorable mention:

Die Hard - While not a Xmas movie in the traditional sense, it was set during Xmas, at a Xmas party, with Xmas jokes ("Now I have a machine gun. Ho Ho Ho!"), Xmas sets and it just happens to be, arguably, the greatest action movie ever made. I can watch this every Xmas and throughout the year. Yippee-ki-yay, motherfucker!

Scrooged - Great twist on A Christmas Carol. Still funny, but nowhere near as funny as it used to be.

Trading Places - I have an even harder time calling this a Xmas movie than I do with Die Hard, but the best thing Dan Ayckroyd or Eddie Murphy ever did and a classic I can watch any time of year.

Joyeaux Noel - Saw this last year for the first time and was blown away by how good it was. The true story of some French, Scottish and German soldiers in the trenches in WWI who called a ceasefire just on Xmas Eve. Moving, harrowing and rewarding. If it's still as good after a few more years/viewings, I'm sure it'll shoot up my list.

And some crappy christmas movies:

The Grinch - Unbearably boring with Jim Carrey over-acting more than he ever has.

Home Alone 2 - The laziest movie ever made. Almost a complete remake of the first one (which I do like very much, even though it doesn't hold up to repeated viewings).

Jingle All the Way - Do I really need to explain this one?

12 Oct 2008

Classic scenes from the movies part 4

This is a special Spike Lee race edition of classic scenes. Spike has been in the news recently due to the release of his new film Miracle at St Anna, which is based on a true story of an incident involving some African American soldiers in WWII. He's also been in the news, more infamously, for a spat he had with Clint Eastwood regarding the lack of black soldiers present in Clint's two WWII films, Flags of Our Fathers and Letters From Iwo Jima.

I've been a huge Spike Lee fan since I first saw Do the Right Thing back in 1989. While he's more famous for the racially-charged nature of most (not all) of his movies, he is an extremely underrated filmmaker who counts Scorsese (the all-time master) as his major influence and it shows through in his work.

A NY director in the classic sense (along with such Big Apple luminaries like Woody Allen and the aforementioned Scorsese), Spike's movies are often just as much about the city itself (and, in some ways, America as a whole) as they are about race.

Having said that, the two clips I've included here are from his most famous (and incendiary) work, Do the Right Thing, and from probably his second-most critically-lauded movie, The 25th Hour, and are both racially-tinged.

In the first, we see a hilariously uncomfortable scene from Do the Right Thing. Set on one extremely hot summer's day in the Bedford-Stuyvesent borough of Brooklyn, DTRT tells the story of the denizens of the street including Mookie (played by Lee himself), a young African-American male who works as a delivery boy for the local pizzeria, and Sal (Danny Aiello) the Italian-American owner of said pizzeria.

DTRT is a bonafide masterpiece, telling the story of race in late-eighties America from the perspective of all NYC's citizens - black, white, hispanic and asian alike. As the day draws on and the temperatures get higher, so does the racial tension and anger of the people. Lee masterfully uses the camera (photographed by longtime Lee cinematographer Ernest Dickerson) to emphasize the growing tensions, his shots getting closer and closer to the faces of the characters as the day wears on.

A serious treatise on race with a controversial and deliberately ambiguous ending, this scene allows for one of the film's comic moments as a member of each of Bed-Stuy's races has a chance to say what's really on their minds...




The next scene is from Spike's post-9/11 work, The 25th Hour. It's ostensibly the story of a drug dealer (Edward Norton) who was one last day of freedom before he's incarcerated for seven years for his crimes. Based on a novel by David Benioff written some years before 9/11, Spike changed the crux of the film to represent NYC's post 9/11 attitudes.

In this scene, Norton talks to himself in the mirror, letting out his anger at every possible permutation of New York citizen. This scene isn't strictly from the book, as it was written mainly by Lee. It's classic Spike, delivered with a conviction that only Edward Norton among this generation's actors, could muster. Of course, it's a treatise on the fears and anger many New Yorkers felt after the attacks and is probably Spike's best-written scene from any of his movies (which is no small boast). In the background, trumpeter Terence Blanchard's (a frequent composer of the scores of Lee's films) music accurately conveys the pain Norton's character is feeling as he comes to the realization of his own waste of his life. Classic.

12 Sept 2008

Classic scenes from the movies part 3

The first clip is from Glengarry Glen Ross. For those of you who've seen it, you know that I could've chosen many, many scenes from this movie, but you also know that if I had to pick one, it would be this one. A little background. GGR was orginally a David Mamet play that opened on Broadway in the 80s. It's about real estate salesmen looking for that big deal to "close." I remember Empire magazine describing this movie as "a film about a bunch of guys sitting around, talking shite. But what wonderful guys. What wonderful shite." This really does sum the movie up.

Director James Foley decided to adapt it for the big screen and, because the dialogue was so actor-friendly, had no problem lining up a heavyweight cast for the film - Al Pacino, Jack Lemmon (who, IMO, should've shared the Best Actor Oscar that year for this, with Denzel for Malcolm X [on a side note, it went that year to, coincidentally, Pacino for what is surely his worst performance - Scent of a Woman - ham acting indeed]), Kevin Spacey, Ed Harris, Alan Arkin, Jonathan Pryce and Alec Baldwin.

This scene features Baldwin in his only scene of the movie and, interestingly enough, this scene wasn't even featured in the original play. Foley had Mamet write this scene especially for Baldwin once he'd climbed on board. In 5 short minutes, Alec Baldwin sets the gold standard for foul-mouthed monologues - a performance he has yet to better...




The next scene is from the French film Amelie. It is, in fact, the opening of the film and, like Magnolia, is one of the best openings to a movie I've ever seen.

A delightful, whimsical fable in which we see the world through eyes of matchmaker-turned-matchmakee (is that a word?) Amelie (played with appropriate doe-eyed innocence by the then-unknown Audrey Tatou).

The opening scene sets the tone for the entire film and, if you're familiar with the work of director Jean-Pierre Jeunet ( the wholly-original Delicatessen and the equally strange City of Lost Children), you know you're in for a treat...




...and, as a bonus clip, here's clip featuree Kevin Spacey on Inside the Actor's Studio giving dead-on impersonations of some famous actors - including Lemmon and Pacino. Genius.

9 Sept 2008

The Fall - the best movie I've seen this year

On Sunday Courtney and I watched what can only be described as one of the most original movies I've ever seen.

The movie is The Fall, directed by Tarsem Singh. It's set in LA in 1915 in a hospital. A young girl with a broken arm befriends an actor in one of the hospital beds. He enchants her with a magical story with a cast of characters based on people she's seen in the hospital...before I go any further, take a look at the trailer, for it synopsizes the film better than I can...



The movie is an amazing amalgam of The Wizard of Oz , Life of Pi (best fiction book ever written, IMO), The Princess Bride (but bear in mind that this movie is, in parts, quite violent and deserving of its R rating) and, and, and well, I can't describe what else, except to say that it's so much more than the sum of its influences.

Five-year-old Romanian first-time actress Catinca Untaru is mesmerising as the young girl, while Lee Pace (Pushing Daisies) gives a wonderfully-rounded performance as the storyteller/red bandit/blue bandit/actor/drug addict/etc.

The cinematography, art direction, costume design and all-around-visuals in the movie are among the best I've EVER seen.

The movie was shot over four years (!) in 28 countries (double !) and was truly a labor of love for Singh, who also co-writes and co-produces.

Arresting, funny, scary, wonderful. The Fall has it all. I cannot recommend it highly enough.

22 Aug 2008

Classic scenes from the movies - Part 2

Here are a couple of scenes that compliment each other, and are similar, in many ways. First, both films are in black and white. Next, each film stars (in the case of the former unarguably and in the case of the latter arguably) the best actors of their respective generations. Both films feature boxers. Both movies feature protagonists who are way past their prime. Both films won the Best Actor Oscars for their respective leads. Both scenes have largely the same exact dialogue (you'll see). Both films feature short, chubby and respected character actors as the boxers' brothers. Both films feature blondes as the love interests. Both films are widely regarded as essential tough-guy classics. And both films contain the following undeniably classic scenes. Have you guessed what they are yet?

The first scene is from On the Waterfront (1954) and features Marlon Brando and Rod Steiger and yes, it's the famous back-of-the-cab-I-coulda-been-a-contender scene. The next scene is from Raging Bull (1980) and features Robert DeNiro as real-life washed-up pugilist Jake LaMotta in the prologue/epilogue scene, reciting the I-coulda-been-a-contender speech from On the Waterfront in front of a mirror.

I love these scenes because they show both actors at the very top of their game, giving incredibly naturalistic performances in two of the best films ever made. Enjoy.