The Only Best Movies of 2010 List Worth Reading, For Reals! (Version 2.0)

So here's my top movies of 2010. In years past, I would do a numbered Top 10. I guess as I've gotten older, though, I can see the futility of doing a numbered Top 10 for two reasons:

One, number-ranking movies against each other is always gonna be a little futile. For example, three of my favorite movies of all time are GoodFellas, All About Eve and Toy Story. I can say GoodFellas is the best/my favorite movie of all time, but even this is a little silly considering how different AAE and TS are from it. In short, I just can't bring myself to have to number movies in a list anymore. Why? Because I make the rules on this blog, sweetheart.

Two, a top 10 to me means that all 10 movies are fantastic. This is not always the case. Sometimes there are more than 10 amazing movies out in a given year and sometimes there are less. Therefore, trying to, year-after-year, name 10 because of convention is, to me, a little silly. After all, 10 is an arbitrary number that, because of tradition, gets assigned greater importance than, say, it's equally impressive brother 11 (or it's sister eight)!

Anyway, rant/justification over. On to the list.

I hardly got to go to the movies at all this year for two main reasons (and then many sub-reasons that stemmed from these two) that, in the interests of anonymity, we shall refer to as Xinlay and Xate. In fact, I only saw two movies in theatres: Inception and Sex and the City 2 (but more on them later). You'll see from my list, though, that I've managed to see most of the "big" or "considered-award-worthy" movies of the year anyway. All I can say is thank Dawkins for my little friend the internet.

The Best Movies of 2010 (in no particular order...well, apart from the first two, that is)

(Joint Best Movie of the Year) The Girl with the Dragon Tattoo - Original. Compelling. Visually-stunning. Feminist. Thrilling. I can't begin to think of all the superlatives this movie deserves. Based on the first of Steig Larsson's Millenium Trilogy of crime novels, Dragon Tattoo was, for me, an instant classic in the way only one other movie was this year. For me, Noomi Rapace gives the single best performance, male or female, of the year in the role of the titular "Girl", Lisbeth Salander.

(Joint Best Movie of the Year) Toy Story 3 - How is it possible that Pixar have managed to make a trilogy of films where the standard has been this high throughout? Even the LOTR trilogy doesn't count being, as they were, made all at the same time and are pretty much all one long movie. I have EXTREMELY high standards when it comes to Toy Story, my favorite animated movie of all time. TS2, while not quite as good as TS, was still inspiring and hilarious. This, though, is even better (again though, not quite at the height of TS, but as close as it's possible to be). Michael Keaton's Ken - brilliantly written and performed. The incinerator scene - sweaty-palm and heart-wrenchingly dramatic. The epilogue - as beatifully written and emotional as anything in the series.

127 Hours - Waaay better than I thought it would be. James Franco = Amazing. I just can't get over what a fantastic job Danny Boyle did with this movie. The fact that most of the film takes place in one confined location with one character and yet Boyle manages to not only keep the audience's attention but also ratchet up the tension is nothing short of awesome. The scene with the arm (you know what I'm talking about) was possibly the most intense scene I've ever seen in a film and realistic as all hell. The editing was also the nuts.

Inception - The very definition of a "smart" summer blockbuster. Great cast (especially Joseph Gordon-Levitt, Marion Cotillard and Tom hardy), brilliant special effects (all the more so because of minimal CGI) and a final half-hour of jaw-dropping cinematic mastery from director Chris Nolan.

Never Let Me Go - Okay, just like 127 Hours, this was far better than I thought it was gonna be. Base on a Kazuo Ishiguro novel, NLMG is a similar meditation on unrequited love, time moving too quickly, a sense of duty, to The Remains of the Day, Ishiguro's most famous (and Booker-Prize-winning) novel. Set in an alternate late-20th-century, this film combines SciFi (it's more Children of Men than Transformers!) and three outstanding performances from Keira Knightley, (new Spider-Man) Andrew Garfield and, especially, Carey Mulligan. Brilliance.

The Fighter - Two words: Christian Bale. Fuck every other review/description of this movie. If you don't know what this film is about, I'm not going to tell you (okay, real-life boxing story). I demand you watch it anyway because of the performance of Christian Bale.

True Grit - It's weird that a lot of critics are calling this the Coens' best or one of their best. Shit, I prefer MANY Coen movies over this...Fargo, Miller's Crossing, Hudsucker Proxy (so underrated it makes me sick), No Country, etc... While I think this is a lesser Coens effort, it still ranks as one of the top movies of the year for me because the Coens are simply of a higher standard than most film makers. As bubblegum a movie as you're ever likely to get from Joel and Ethan.

Catfish - To say anything of what this movie is about would be doing you a disservice. Suffice to say it's the best documentary of the year and revolves around Facebook. I really can't say anything else about it without spoiling it.

The Girl Who Played with Fire/The Girl Who Kicked the Hornet's Nest - The next two in the aforementioned Millenium trilogy. Not a patch on Dragon Tattoo, but still two of the classiest thrillers of the decade and Rapace once again OWNS. Special mention, also, to Michael Nyqvist as (the other main character) journalist "Kalle" Blomkvist in all three. A kind of Swedish Daniel Auteiul or James Woods, only a little more subtle.

Restrepo - Film makers Sebastian Junger and Tim Hetherington spent 15 months with an Army platoon in the Korengal Valley in Afghanistan (the most dangerous part of the country). This documentary is absolutely apolitical (I defy anyone to argue otherwise) showing, as it does, nothing other than what it's like to be a troop on the ground. Never before has there been such an accurate depiction of modern warfare.

The Social Network - NOBODY expected a movie about the founding of Facebook to be this good, myself included. However, with director David Fincher (Se7en, Fight Club) and writer Aaron Sorkin (The West Wing, A Few Good Men) on board, the clues were there. All I can say is that the execution was perfect and a central performance by Jesse Eisenberg (who knew he had it in him?) that was just marvellous.

The movie that's not quite good enough for my "Best of 2010" list, but is better than my "Honorable Mentions" list

Black Swan - This movie is either a fucking masterpiece in every conceivable way, or is a glossy, style-over-substance, psychological thriller/melodrama with some awesome ingredients. The thing is, I'm not sure which it is, though. What can't be denied is that it was totally involving, with brilliant make-up and editing and a central performance which, if this were a Rapace-less year, would be the best of 2010 from Natalie Portman.

Honorable Mentions

I also really enjoyed the following movies this year:

Shutter Island - good ending and masterful directing from the master.

The Crazies - great zombie movie and anything with Olyphant is worth watching anyway.

Why Did I Get Married, Too? - suck it, Tyler Perry, haters. I like his movies (minus the spirituality, of course)

Winnebago Man - great documentary with a brilliant and unique central character

Machete - they fucked with the wrong Mexican

The Town - while still awesome, this would be so much better without the spectre of Affleck's previous and brilliant Gone Baby Gone ratcheting up my expectation

Conviction - Hillary Swank + Sam Rockwell + "The Legal System" = Brilliance.

Winter's Bone - atmospheric, dark and an amazing performance from Jennifer Lawrence in the main role.

The Human Centipede - just a really original, chilling horror movie. FEED HER!!!

Worst Movies/Biggest Disappointments of 2010

Sex and the City 2 - I love SatC and I loved the first movie. This was such a let-down.

The Ghost Writer - Seriously. WTF was all the fuss about?! Boooo-ring.

Kick-Ass - I still liked Kick-Ass, but it was sooo much less than I thought it was gonna be.

Death at a Funeral - Chris Rock, Martin Lawrence, Tracey Morgan. All hilarious. Movie? I didn't laugh once.

The A Team - I loved the show. This movie (Sharlto Copley notwithstanding) sucked balls.

The Twilight Saga: Eclipse - it was mmmmokay, but as it's my favorite book in the series, it should've been so much better. The worst movie in the saga so far...

Movies I wanted to see but haven't...yet

The King's Speech

The Tillman Story

Mother

Enter the Void

Somewhere

Joan Rivers: A Piece of Work

Final thoughts

For me, 2010 was a year of great documentaries (as well as the above, Waking Sleeping Beauty, Exit Through the Gift Shop and The Cove [I know, I know, it was 2009, but I saw it this year] were all great), great female performances (Portman - Black Swan, Rapace - The Girl... Trilogy, Lawrence - Winter's Bone, Leo - The Fighter, Swank - Conviction, et. al.), disappointing summer movies (Toy Story 3 was the only genuinely good one) and squirm-inducing scenes (Centipede, 127, TGwtDT, The Killer Inside Me).

We Need to Put Down the Guns, We Need to Stop the Violent Rhetoric

As usual, Keith Olbermann expresses it more lucidly than I ever could...

Visit msnbc.com for breaking news, world news, and news about the economy

Yeah, so I've been away for a bit.

Wow. It's been just over a year since my last blog post. Trying to think of exactly why this is. Probably because as I'm using Facebook and Twitter now more than ever, most things I would traditionally use my blog for are either a) better suited to FB/Twitter (such as links to cool/funny videos, current music, etc.) or b) can be condensed into one or two sentence FB/Twitter updates, such as work life.

However, the advent of my annual best movies of the year list really IS better suited to blog format, IMO, so I decided to logon to the ol' blog and see what was new. Quite a bit, actually. You may notice the new look. Templates are much better now than they were a year ago. Also added functionality such as social networking buttons bring Blogger right up-to-date.

Also, having a quick browse through some of my old posts has reignited the blogging flame in me, as it were. Don't know how long this enthusiasm will last, but for now I'm like totally into it again, dude.

Gerald the Gorilla

This is one of my favorite comedy sketches of all time from the classic late 70s/early 80s show "Not the Nine O'Clock News". BTW, the guy in the gorilla suit is Rowan Atkinson...

The Best Films of the Decade

In trying to come up with a best films of the decade list, I first tried to come up with a Top 10. I found it too hard, though, because, as you'll see, I don't think there were 10 absolutely outstanding movies this decade. I think there were seven absolute all-time classics and a further 18 really, really good movies.

I also reserve the right to change this list in about a year's time because there are movies that have just or will soon come out this year that I haven't yet seen that could possibly make the list.

In making this list, I also found it funny how time changes one's perception of movies. For example, the number one movie in each of my top 10 lists for 2006 (Babel), 2007 (Once) and 2008 (The Fall) are not in the all-time classics section of this list with Babel failing to make even the overall list!

Once I got the seven absolute classics sorted, I tried and tried to rank them from one to seven but I just couldn't. Some of them are so vastly different, how do you compare which one is better than another?

The all-time classics (in no particular order):

There Will Be Blood - just unbelievably brilliant film-making from PT Anderson (whose Boogie Nights remains one of my favorite movies of all time), another mesmerising performance from DD-L, an amazingly effective score and beautiful camera work. A modern classic if there ever was one.

The Dark Knight - not just the best "comic-book movie" of all time, but one of the great crime thrillers (ranking up their with the likes of On the Waterfront and Heat) ever. Heath Ledger is truly amazing as is Aaron Eckhart as Two-Face. Stunning set pieces, a wonderful script and suitably epic photography add up to a bonafide classic. Shame about Bale's Batman voice, though.

The Lord of the Rings: The Fellowship of the Ring - Though I love The Two Towers and The Return of the King, neither movie comes even close to FOTR in terms of the sheer impact it made on me when it first came out. Peter Jackson's masterful film ranks as possibly the best adaptation of an "unfilmable" book ever made. A truly involving story, brilliant effects and great heroes and villains.

Brokeback Mountain - easily the best love story of the decade. Extraordinary work from (again) Heath Ledger, but also from Jake Gyllenhall who make the central romance utterly believable while Ang Lee proves once again that he can, in fact, do anything. The scene where Ledger hugs Gyllenhall's old shirt hanging in the closet typifies the central theme of longing for forbidden love.

Unbreakable - the best thing Shyamalan's ever made and an absolutely brilliant commentary on the power and influence of comics. A brilliantly-involving story and great filmmaking, from the use of muted greys and purples to the alternating static and fluid camera work. I remember coming out of the movie theater and listening to the other moviegoers' conversations...half of them were saying "that was the dumbest ending ever" and "what a boring movie", while the other half were saying "that was awesome!" and "what a cool ending!".

Oldboy - An intriguing premise. One of the great performances of the decade from Choi Min-Sik. A story that twists and turns and keeps you guessing without ever straying into unbelievable territory and....AND...the Best. Twist. Ending. Ever. The fight in the hallway is one of the best fight scenes in ANY movie of the decade.

Grizzly Man - The nineties and aughts were both golden eras for movie documentaries. The 90s gave us Crumb and Hoop Dreams (two of the best movies ever made, never mind documentaries), while the aughts gave us this. Timothy Treadwell, like Man on Wire's Phillipe Petit, is one of the great movie characters of the decade. A unique, charismatic, dangerous, delusional, camp, sincere, honest man whose reason for living ultimately (and poetically) also became the reason for his untimely death. The great Werner Herzog (a crazy man himself) crafts his best movie since Mephisto.

...and those were the only really, true all-time classics from the decade, in my opinion...movies that I know will still be classics in 10, 20, 30 years' time.

The below are also very good too, though.

The other 18 really, really great movies (again, in no particular order):

The Departed - a welcome return to form for Scorsese (after Aviator, Kundun, etc.) in the milieu that suits him best - Gangsters. Brilliant work by a huge ensemble cast incl. Mark Wahlberg in the best performance he'll ever give and Matt Damon as a terrifically slimy bad guy. Scorsese = still the greatest director in the world.

A History of Violence - paradoxically very Cronenberg and also unlike anything he's ever done. Brilliant turns from Viggo Mortensen and a scene-stealing William Hurt in a crime-thriller graphic novel adap that belies its "comic book" roots. Just awesome.

Man on Wire - the remarkable story of one man's quest to live life to the fullest...even with the threat of death ever present. Phillipe Petit, like some others on this list, is one of the great movie characters, with more than enough charisma to go around.

Kill Bill - I still think of both "volumes" as one film and while not vintage Tarantino, still better than most directors could ever hope to be...full of stylistic flair, stunning set pieces, memorable and instantly-quotable dialogue and a love of bad movies...

Etre et Avoir - a heart-breaking documentary on the powerful and life-affecting relationships between great teachers and willing students, this time in a small, provincial school in the french countryside. Your life can only be richer for seeing this.

House of Flying Daggers - the best of the spate of wire-fu movies of recent years (CTHD, Hero, etc.) with a central love triangle that works so well, it would've been a great film w/out the martial arts.

Bowling for Columbine - love him or hate him, one thing that cannot be denied is what an accomplished film-maker Moore really is. An impassioned argument against the destructive power of guns and the reasons people use them.

Shaun of the Dead - best comedy on the list and a movie that has equal affection for (and pays equal homage to) zombie movies as well as classic comedies. Full of verve, wit and imagination, SotD even created its own genre: the zom-rom-com.

Volver - A stunning performance from Penelope Cruz in one of Almodovar's (second only to Scorsese in the great director stakes) most accessible films. At once a love letter to his Mother and to former muse Carmen Maura who reunites with Almodovar for the first time since 1988's Women on the Verge...

Amelie - a truly original work from Jean-Pierre Jeunet. Possibly the most quintessentially French film I've ever seen and Audrey Tatou is outstanding as the eponymous matchmaker. Best opening sequence of any movie on this list.

Dear Zachary: A Letter From a Father to His Son - one of the best documentaries I've ever seen and one that I'll seriously never be able to watch again. This still haunts me to this day. Really.

The 40-Year-Old Virgin - the best of the Apatow comedies featuring a great script (special mention also to some of the obviously-improvised exchanges) and star-making performances from Steve Carell, Jane Lynch and Elizabeth Banks. Still hilarious on the umpteenth viewing.

Bad Education - Almodovar's ode to his Iberian upbringing. I rate this higher than Talk to Her, though I'm in the minority. A quintessential Almodovar movie: funny, touching, weird, cross-dressing, sexual, dramatic. Featuring a standout performance from Gael Garcia Bernal as the director's alter-ego. It's actually impossible for Almodovar to make a bad film. Fact.

The Fall - possibly the most original movie on this list and a breathtaking, exhilarating, magnificently-realized labor of love for director Tarsem Singh. A feast for the eyes and the soul. A grown-up fairytale that enchants and scares in equal measure.

Once - the second-best love story on this list. A small, unassuming tale of two musicians who meet, help and fall in love with each other in a very unusual way...the end is not what you expect. The music, especially, is what elevates the film to greatness.

Gone Baby Gone - as I said in my original review, the cinematic equivalent of The Wire...no higher praise is needed. Adapted from a Dennis Lehane novel, GBG is far superior and more accomplished that that other great Lehane adap., Mystic River...and that's sayin' somethin'.

The King of Kong - Another fantastic documentary, this time centering on one man's quest to be the best at something...anything...even if it's just the coin-op Donkey Kong. Also featuring, in Billy Mitchell, the greatest screen villain in recent memory, made even better 'cause he's real!

No Country for Old Men - The Coen Bros. go serious for the first time since Blood Simple and in the process bag their first directing Oscars, direct Javier Bardem to his first Oscar as one of the best bad guys ever and make us realize Josh Brolin can actually act. TLJ is great, too.

For an alternate take on the Best Movies of the Decade, please see my friend (and fellow film buff) Cam's list here.

Premier League Quote of the Week

In a regular feature that, like all my "regular" features, will probably fizzle out after two or three posts, I present to you a genius quote from the past weekend's Premier League.

The following came from Mick McCarthy, manager of Wolverhampton Wanderers after his side's defeat at Sunderland:

"All of us thought that we could go on and win the game but unfortunately we lost it in the process."

This is a real quote, btw. Really.

Dr. Strangelove Actually

Found this great site that has movie mash-up posters. Here're my favorites:

First, the best one:

This really is quite appropriate:

I love the quite subtle umbrella:

How much better would Empire have been had it been directed by Kubrick:

I'd love it if Jack Nance has been in Hairspray...:

...and finally, 'cause it's just funny:

There's more here

Tapping The Wire

Further to my previous post about The Wire, here's a special Charlie Brooker did for the FX channel. It's a fascinating 1/2 hour look at the show, including interviews with the creator, David Simon, some of the main cast members and famous fans.

The Wire - Best TV Show Ever made

I found this video whilst browsing YouTube. In it, Charlie Brooker, lead television critic for the UK's Guardian newspaper, does a pithily excellent job in explaining just why The Wire really is the best show on television. What's even more telling is the fact that he made this video without having yet seen the fourth season, which is regarded by most as the best season of the show.

Anyway, here's the video. It's well worth watching if you want to learn a bit more about The Wire and it's only four minutes long.

Books: Moab is My Washpot

Just finished reading Stephen Fry's autobiography Moab is My Washpot. Being a Stephen Fry fan, I knew I'd probably like the book and wasn't disappointed.

The timeline of the book is Stephen's life from birth to age 18. While for most people this may not be long enough to justify the writing of an autobiography, Stephen's tales of English public-school life (for those not in the know, in England "public"school actually means private school. I would explain, but I can't be bothered) are amusing and interesting enough to keep the reader entertained.

The 21st century's answer to Oscar Wilde in terms of dry wit (if not literary genius), Stephen's writing is consistently hilarious, thought-provoking and more than a little embarrassing (for him, not you).

His tales of the minutae and traditions of attending public school are a mix of the sad and the funny, as are his continuous grappling with his own sexuality and propensity to thieve at every opportunity.

In short, entertaining, well-written and a good insight into one of England's most beloved popular culture figures. Recommended.